film production course requirements
If students wish to print more, printer credit can be topped up by the student. This module develops understanding of how advance post-production techniques are deployed in the modern film production process. A formative task to present a working script and shot/lighting plan affords project progress tutor feedback. A formative task pitching the group film project idea and planned framic elements affords project progression tutor feedback. A formative task will afford students feedback on project and research progression. The actor's approach, character analysis, advanced blocking, image systems and rehearsal styles form the foundation of the course. Students must make sure that they meet the entrance requirements for all courses in their programmes. Cinematography is the art and technique of camera and lighting in the making of a motion picture film. *Please note these are indicative hours for the course. This module will equip students with advanced skills in post- production appropriate to entry into the film and media production industries. You'll explore the theories and history that make film and television what they are and that point the way towards their future. Please note the University cannot guarantee the availability of all modules listed and modules may be subject to change. Over the duration of your course, you will be expected to develop independent and critical learning, progressively building confidence and expertise through independent and collaborative research, problem-solving and analysis with the support of staff. Good filmmaking requires that those involved have a broad knowledge base. Employment prep has many outcomes: career pathway development (now, mid-term, long term) initial résumé and cover letter development, personal brand development, delivering the perfect pitch, and concepts of Marketing 101 for the filmmaker (understanding the needs of the market and how to satisfy them). Filmmaking is a creative, dynamic process requiring the cooperation and creative input of many people. You will engage with innovative, ambitious ideas, developing successful films in groups and individually, and gain a practical knowledge of filmmaking production. This module develops cinematographic skills, acquired from Lv4 study, to inform creative authorship and technical camera operation. Directing Fiction III; Documentary Film-making III; Principles of Sound Design III; Principles of Studio Production III This course covers procedures and techniques for picture and audio editing using non-linear editing software. All class based teaching takes places between 9am – 6pm, Monday to Friday during term time. We are one of the few film courses in the UK which teach you to use both RED and ARRI cameras (high-spec digital cameras that the film industry use) as well as traditional celluloid or ‘35mm’. Students study and practise third-party integration of visual effects, sound, and colour correction in order to achieve proper deliverables. All post elements of a student’s final project need to be completed. Students enter into the world of finance, negotiations, mediating, creative problem solving and the rush of producing something fantastic. Student groups will pitch their script ideas in Week 5 for tutor progression feedback. On this course you'll explore the medium of film, developing your own filmmaking practice while acquiring skills for working professionally. In this introductory class, students learn the incredible creative power that post-production provides the filmmaker in the following areas: picture editing, sound editing, sound mixing, music, and colour correction. Emphasis is on the overall post-production process and the larger decisions necessary in these areas, and the importance of knowing your post-production direction well before filming takes place. Global Cinema examines the powerful contributions to film history from film communities around the world. National Film and Television School. We can email you when it starts again, or check out these other courses you might like. You are taught primarily through a combination of lectures and seminars, allowing opportunities to discuss and develop your understanding of topics covered in lectures in smaller groups. For more information see our Study Abroad section. This seven-week course explores the following concepts: ideology, semiotics and signification, mise-en-scene, Hollywood film style, the significance and characteristics of film form, narrative structure and POV, introduction to genre. The major assignment for this course is a Career Roadmap assignment in which students articulate a potential strategy (along with supporting materials such as their résumé) for pursuing a career in producing. The module draws on the students’ practical experiences of filmmaking across all the production modules of the programme to make a short ‘rebel’ film that experiments with narrative or documentary practices. By the end of the course, students are able to put together a complete package for pitching a feature-length project. The primary aim is to stick to the budget and schedule, this requires constant vigilance. This course allows students to gain knowledge and experience in post workflow using the Term 3 Episodic Project footage. You are also encouraged to seek additional feedback from your course tutors. Students expand their knowledge of the business side of producing in the film and television industry, as well as how graduates should approach their own entry into the business. Students are required to write a 2-3 page scene/sequence that elicits an emotional response. By the end of the course students are able to confidently produce and budget shows on a shoestring budget and beyond. If you are a UK student starting your degree in September 2021, the first year will cost you £9,250***. Sony HD motion picture cameras are used in Term 1, both for training and production, and Arri lighting makes up the initial tungsten package. The Film Production curriculum provides flexible opportunities to develop skills as a filmmaker through collaborative and individual studio practices, technical & theoretical seminars, critiques, screenings and guest speakers. The assessment balance between examination and coursework depends to some extent on the optional modules you choose. An individual reflexive account provides students opportunity to consider their creative role and the finished project in relation to documentary genre practices. Students learn about specific production design scenarios, such as designing creatures and monsters, how prop workshops operate, and how the art department supports stunt scenes. This course continues to Term 6. Our aim is to shape 'confident learners' by enabling you to develop the skills needed to excel in your studies here and as well as onto further studies or the employment market. Film Production Work Placement 2 Year The requirement for graduation is completion of all courses in the chosen program with a 1.7 CGPA in the 4.3 scale or better. In Term 6, Special Topics courses in the Film Production program give students the opportunity to refine skills and key industry knowledge while also exposing them to additional areas of their discipline that they may encounter in their future careers. Seminars and workshops will explore examples of post-production techniques in current use and provide historical context to improve understanding. Following the spectrum of formalist styles to realist styles we discuss cinematic masterpieces from around the world. Understanding film as an art form, as a means to developing an original voice, will serve to develop directorial craft skills. Students are able to participate in both the basic creative dimensions of fiction filmmaking including directing performance, cinematography and editing and the organisational dimensions of producing and production management. In Cinematography 2, the art of camera and lighting goes further to the very core of this subject matter - visual storytelling. We aim to help you develop your own distinctive creative film-making voice during your three years with us. A formative task affords project tutor development feedback on project progression. CTVA/Film Production-Provisional Option. The goal of this program is to graduate creative, independent filmmakers with the skills, ideas, and initiative to shape the industry. Students explore further aspects of directing technique and collaboration. Filming Performance (15 credits) Foundations of Story (15 credits) Green Screen & Compositing (15 credits) Introduction to the Art of Acting (15 credits) Rehearsals, Casting & Auditions (15 credits) View all modules. View all our Film and Television courses. Advanced Directing 1 provides students with the necessary knowledge and tools for developing and refining their professional voice as Directors. The course team is made up of active and award-winning filmmakers who encourage and support the development of your personal ideas and stories into films in drama, documentary and experimental formats. International Baccalaureate: 112-120 points to include a minimum of 2 Higher level IB certificates at grade 4 or above. Your overall workload consists of class contact hours, independent learning and assessment activity. Indicative cost: 2TB devices cost £80. Students will produce an individual portfolio that demonstrates a range of editing techniques, including narrative and experimental image juxtaposition. A formative task affords project progression tutor feedback. It is anchored around our superbly equipped Multimedia Centre, which has industry-standard facilities, including two HD TV studios with green screens, use of state-of-the-art cameras such as the Black Magic and Canon C100, together with facilities for multitrack audio recording. The Producer will now hire a Line Manager or Production Manager to create the schedule and budget for the film. As such, where appropriate and necessary, students with recognised disabilities may have alternative assignments set that continue to test how successfully they have met the module's learning outcomes. This seven-week course provides emerging filmmakers the opportunity to follow these styles through their inception to contemporary innovative incarnations. If you aspire to see your name in the rolling credits of a hard-hitting Netflix documentary or BAFTA nominated feature film then this is a great place to start out. In Year 3, you work on a final major project, a showreel and advanced post-production as well as a fascinating choice of optional specialised modules. The University and Student Union are champions of sustainability and we ask all our students to consider the environmental impact before printing. Producing 3 provides students with the knowledge and skills to negotiate with locations and vendors, manage relationships with the director and the crew, find solutions to budgeting and scheduling concerns, and develop the marketing strategy to create buzz for the film. Advanced Production Design 1 takes students beyond the boundaries of interpreting the Director’s vision and into the realm of enhancing it. During this phase it is key to keep planning ahead of the daily shoot. Students learn about specific tactical approaches to producing, including discussions of advanced negotiations, understanding the relationship between the Producer and various production roles, and recognizing the changing nature of how money flows in the business. Hampshire The elements consist of picture editing, visual effects, title sequence, credit roll, post-sound editing and mix, music composition and/or needle drops and colour correction. This hands-on course builds on the knowledge and experience the students have gained to date. Students will understand that the conceptual development of visual narrative in film is a vital compliment to cinematographic technical ability. 2 Formative tasks are undertaken to receive feedback on the project’s progress across both semesters. This module offers students the opportunity to gain a core understanding of film genres and their application to filmmaking and to creating meaning within the frame. Students will self- film a critical reflexive analysis (to-camera) and verbally discuss how they engaged with non- conformist/alternative film practices per their role in the group film and how their themes challenge convention/power systems. The course also provides students with the necessary observation, evaluation, exploration and thinking tools required to ensure that optimal direction and best performances are realized on set. Learning and teaching. Genre and subject area are determined through negotiation with personal project supervisors with whom students will have regular tutorials to discuss creative progress, issues and logistical challenges for the production. Production is important to this course. Courses in the creative crafts of cinematography, editing and sound are offered alongside studies in the concepts and practices of screenwriting, directing and producing. The focus will be on analysis and implementation of narrative devices (including narrative shortcuts and use of sound), development of story and character (and the inter-relationship between the two), and on skills in writing visually and succinctly. By the end of the term, students have taken a film from the initial concept through the script stage all the way to production and be ready to take it into the next stage of post-production and distribution. This module offers students an opportunity to be involved in the production of a short filmed drama from the creation of an original screenplay (as developed in Semester 1, Creating Short Screenplays) to delivery of the final film. Success hinges on the ability to engage with an open mind and respond positively to the question that begins with the simple words “What if…?”. The partnership will see students take part in work placements and have unique behind-the-scenes access to the Festival programme of events. Whilst acknowledging the collaborative process involved in the development of initial ideas for the screen, students will also have the opportunity to develop their own sustained screenwriting style with an emphasis on the importance of character in the production of engaging screen narratives. The MA in Film Production & Direction is a rigorous course that offers training in Directing, Producing, Camera, Sound, Lighting, and Editing. Try it. Students should be aware that professionalism in Term 6 specialization courses counts for 25% of the grade and, therefore, they … Remember, you don't have to pay any of this upfront if you are able to get a tuition fee loan from the UK Government to cover the full cost of your fees each year. A formative task affords tutor feedback for project progression. These techniques form the basis both of managing small zero-budget films and are the foundation for developing more sophisticated skills later in the program in order to enable students to manage much larger productions. While your actual contact hours may depend on the optional modules you select, the following information gives an indication of how much time you will need to allocate to different activities at each level of the course. This module will focus on the documentary filmmaking process and is aimed to strengthen practical and theoretical knowledge gained prior to and throughout the filming of the group documentary project. The University is pleased to offer our students a free printing allowance of £20 each academic year. Indicative cost: £375 per academic year. By the end of the course, students are able to rehearse with actors effectively, and to plan, and shoot, a three-hander scene successfully, choreographing camera movement with the performance, staging and blocking of the actors. The films presented and discussed cover a range of cinematic styles and content. In this course, delivered 100% online over 12 weeks, you will learn knowledge and skills to prepare you for a career as a Production Accountant for film and screen content production. If you study a Bachelor Honours degrees with us, you will be pre-approved to start a Masters degree at Winchester. Through intensive hands-on workshops, students’ creative and aesthetic skills are tested and honed through weekly exercises designed to test knowledge and practical application across drama and documentary forms. A proven interest in film and television production, and an interest in related creative media arts; Basic knowledge of computers (either Mac or PC) and video/audio software will be helpful, but not essential before starting the course Students with the highest grades from the previous term have the right of first refusal to assume the role of Production Designer or Costume Designer on six productions during the term. Gain a close-up view on the diversity of film and television culture as you explore how the moving image relates to history, politics, philosophy, sociology, the visual arts, drama and literature. This course is the finishing stage of Final Projects. To achieve this successfully, the Production Designer must also be able to use the tools necessary to articulate the vision to Directors, Producers, and Directors of Photography. This course elevates and expands students’ imaginations towards telling a story using all the resources available in post-production. From the moment the programme begins, students are involved in collaborative filmmaking tasks which offer real-world training in a range of roles across the film production process. Continue reading to understand more about this BA (Hons) Film Production course. Other courses you might like This course isn't running right now. Find out more about the course structure and units available for Film and Television. Study the art and craft of cinema and gain the practical and creative skills that will prepare you for a contemporary filmmaking career. The major assignment for this course is a Career Roadmap assignment in which students articulate a potential strategy (along with supporting materials such as their résumé) for pursuing a career in cinematography. The length and complexity of these productions will increase as you move through the course. Take a look at the range of support we have on offer. If finance is a worry for you, we are here to help. Students will research and write a case-study analysing a particular editorial practice or industry practitioner. Working in conjunction with the Script Development 2 course, the Producing 2 course provides students with a real world experience of helping to develop a concept and then select material and negotiate for the rights to that content. Advanced training in various areas of the craft enhanced by critical studies courses. Moving past the iconoclastic Hollywood film, the course examines nationalistic and regional trends in filmmaking that present the social and political realities of these cultures as well as the genres that have entertained their native audiences. A formative task affords a group project pitch to their tutor for project progression feedback. There may be some occasional learning opportunities (for example, an evening guest lecturer or performance) that take places outside of these hours for which you will be given forewarning. Students undertake an individual case-study examining a genre film or a director working within a particular genre. Students learn about the role of the Assistant Editor, cutting trailers, prepping for a colour timing session, and how genre influences the editing process. Request info. This three-class course presents an overview of specializations that create the magic of the movies. Scripts will be written with a view that they be made as a short film in Semester 2 for the ‘Producing Drama’ module. You take responsibility for your own learning and are encouraged to make use of the wide range of available learning resources available.
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